Self-Portrait as Return Address

Do you know the sound a snail makes when it thinks no one is listening?

I draw it anyway. Small. Spiral. The way you taught me to hold a secret— cupped like water between two palms.

In Korean, to return is dol-a-ga-da but I can't roll the syllables without tasting your name.

Look— even this creature carries its house on its back. Even this blue wash of paint knows how to bleed beyond its borders.

They say if you're fixated on one thing you miss what's next but I keep drawing the same shell the same curve of spine disappearing.

Do you see how I've made a home of this waiting?

Okja Kwon

Okja Kwon (b. 1981) is a Korean-born, transracial adoptee artist

who communicates through intimate illustrative image-making.

In response to one's survivalist attempts to transcend an identity historically rooted in imperialism, global capitalism, and desirability, Kwon draws upon metaphors that take ritualistic form. The enactment of "witnessing" provides a compilation of whispered ideations and fragmented (re)imagined remembrances of in-betweenness, all in an attempt to build an intuitive and otherworldly bridge to transcend blurred relations.

https://www.okjakwon.studio
Previous
Previous

Water Refusing Its Own Tea

Next
Next

American Tongue