Telophase

In the archive, soldiers walk the spine
of a country pulled apart. Y-posts rise
like wishbones planted upside down,
luck buried deep in frozen ground.
My grandmother says: we last spoke
in 1950. Now I wake wondering
if she wakes at all. Forty years
of mornings I can't imagine—
does she still braid her hair left to right?
Between them, these forked prayers stand—
each post a mother's clavicle
snapped, waiting for sons
to pull from either side.
January's hand redraws the fence
in ink: a thousand chances
to break toward each other,
a thousand ways to name
this distance home.

Okja Kwon

Okja Kwon (b. 1981) is a Korean-born, transracial adoptee artist

who communicates through intimate illustrative image-making.

In response to one's survivalist attempts to transcend an identity historically rooted in imperialism, global capitalism, and desirability, Kwon draws upon metaphors that take ritualistic form. The enactment of "witnessing" provides a compilation of whispered ideations and fragmented (re)imagined remembrances of in-betweenness, all in an attempt to build an intuitive and otherworldly bridge to transcend blurred relations.

https://www.okjakwon.studio
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Tracks in the Borrowed Country

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When I Learned to Make Myself Permanent