What the Tide Breaks

I arrange the broken shells by what is missing.

Nacre opens to salt air— smooth chamber, weathered hull. Each half holds the shape of its other.

 

My fingers trace the fracture, searching.

 

 

Mother— do you also kneel at the edge? Tide pool. Photograph. The absent weight in the hands.

 

 

Light enters through the break.

Ok-ja Kwon

Ok-ja Kwon (b. 1981) is a Korean-born, transracial adoptee artist

who communicates through intimate illustrative image-making.

In response to one's survivalist attempts to transcend an identity historically rooted in imperialism, global capitalism, and desirability, Kwon draws upon metaphors that take ritualistic form. The enactment of "witnessing" provides a compilation of whispered ideations and fragmented (re)imagined remembrances of in-betweenness, all in an attempt to build an intuitive and otherworldly bridge to transcend blurred relations.

https://www.okjakwon.studio
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Tracks in the Borrowed Country

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Biofilm as a Mother Tongue