Brief Gospel of What Holds

Stone remembers the green fever of vines,
how they wrote promises across its skin
in cursive chlorophyll. Now brittle alphabets
spell only departure. The rock holds
its gray silence like a mother tongue
forgotten, while autumn's amber testimony
settles around what remains: this binding
that outlasts the life that made it.

Okja Kwon

Okja Kwon (b. 1981) is a Korean-born, transracial adoptee artist

who communicates through intimate illustrative image-making.

In response to one's survivalist attempts to transcend an identity historically rooted in imperialism, global capitalism, and desirability, Kwon draws upon metaphors that take ritualistic form. The enactment of "witnessing" provides a compilation of whispered ideations and fragmented (re)imagined remembrances of in-betweenness, all in an attempt to build an intuitive and otherworldly bridge to transcend blurred relations.

https://www.okjakwon.studio
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When I Learned to Make Myself Permanent

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The Architecture of Almost Home