The Architecture of Almost Home

In the photograph of winter's skeleton, branches weave themselves into prayer— each curve a question mark asking the sky: why can't I?

Mother, your hair falls like ink across hanji paper, cyclones of memory I cannot gather back into the warmth of your first embrace.

The branches know something about growing toward each other, about making doorways from empty space. I study their architecture, these natural arches that lead nowhere and everywhere—

Why can't I create a portal to a home?

In Seoul, grandmother's hands moved like these scattered strands, soft and comforting as clouds, weaving stories I've forgotten in a language that lives only in the hollow of my throat now.

The wind carries what we've lost. The trees catch what remains. Between their fingers, I am still learning to hold myself like someone worth coming home to.

Okja Kwon

Okja Kwon (b. 1981) is a Korean-born, transracial adoptee artist

who communicates through intimate illustrative image-making.

In response to one's survivalist attempts to transcend an identity historically rooted in imperialism, global capitalism, and desirability, Kwon draws upon metaphors that take ritualistic form. The enactment of "witnessing" provides a compilation of whispered ideations and fragmented (re)imagined remembrances of in-betweenness, all in an attempt to build an intuitive and otherworldly bridge to transcend blurred relations.

https://www.okjakwon.studio
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Brief Gospel of What Holds

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Threshold, with Dog